La situación de pandemia del COVID19 brindó la adopción de nuevas estrategias educativas en la educación superior, y un desafío en el desempeño de docentes y estudiantes.Identificaremos así las estrategias adoptadas en la disciplina Diseño de la Comunicación IV, de la carrera de Diseño de la Comunicación de la Universidad del Algarve. Para la realización del trabajo se utilizó una metodología cualitativa, análisis intensivo y estudio de casos, análisis documental, observación y entrevistas.Verificamos que el mayor enfoque estaba en las necesidades (...) de los estudiantes, brindándoles más autonomía y la adquisición de nuevas habilidades, en el ámbito profesional. (shrink)

This study aimed to understand the expressions of fear in the journeys of health professionals who worked in the confrontation of coronavirus disease 2019 (COVID‐19), in the city of Manaus, in the Brazilian Western Amazon. This is an exploratory qualitative study that adopts interpretive description as a method to generate informed knowledge responsive to the needs of the practice. We included 56 participants, comprising 23 health managers and 33 health workers (middle and higher level) of different professional categories. The results (...) revealed three circles of experience: (1) knowledge and professional experience in dealing with the disease (unknown–known–experienced); (2) the growing proximity to death and loss (predicted–witnessed–suffered); and (3) the involvement and proximity to whatever affects the individual, their emotions, and personal transformations in the face of the threat (the collective, the neighbor, and oneself). Our results suggest that health professionals who worked during the COVID‐19 pandemic in Manaus experienced insecurity, dread, and fear, illustrating the complexity of developing their activities in the front line of care and management during the different phases of the pandemic. A contribution of the study is precisely that of capturing this complexity, which suggests the impossibility of analyzing fear only in its simple manifestation, or in each circle of experience. (shrink)

Don Juan Manuel foi uma das personagens de maior relevo no século XIV em Castela, tanto pela sua obra literária quanto pela sua participação ativa ·na política da época. Era nobre, guerreiro e ao mesmo tempo tinha uma consciência clara de escritor. Preocupa-se por conciliar o que pensa e propõe, e o que vive intensamente. Detectar as linhas mestras e os conceitos presentes no pensamento do autor assim como a projeção dessas ideias na sua prática política, é o objetivo (...) do presente trabalho. (shrink)

"Ludwig Wittgenstein é um cabeça oca"(p.48). Esta afirmação poderia ter sido feita por um neurocirurgião que, seguindo a suposição do próprio Wittgenstein, houvesse feito uma operação no crânio do filósofo. Em Sobre a certeza (Über Gewissheit), Wittgenstein apresenta objeções aparentemente descabidas e esdrúxulas às ideias de Moore, que saiu em defesa do senso-comum. Diz Wittgenstein: “(... ) Mas que pensar de uma proposição como: 'Sei que tenho um cérebro'? Posso pô-la em dúvida? Tudo é a seu favor, nada contra. Contudo, (...) pode imaginar-se que o meu crânio aparecesse vazio quando fosse operado." (Prop.4) Se Moore se compromete com a existência de proposições auto evidentes, que podem ser apreendidas intuitivamente, embora não possam ser provadas, é o assunto do segundo artigo desta coletânea, intitulado "A importância do senso-comum", de Mário A. L Guerreiro. Tanto Moore, em 1925, quanto Guerreiro, em 1995, estão defendendo algumas certezas do senso-comum e da filosofia do senso-comum contra certos absurdos, que se constroem justamente onde o pensamento sofisticado efetuou uma ruptura radical com o senso-comum. Após analisar objeções ao projeto de Moore, o artigo de Guerreiro conclui secamente com esta elegante profissão de fé: "De qualquer modo, não estamos dispostos a renunciar à certeza de que temos duas mãos com cinco dedos em cada uma. Se alguém tem alguma dúvida quanto a isto, pode se aproximar e verificar que minhas mãos não são de matéria plástica nem de madeira. "(p.49) [...] Palavras-chave: Resenha; Filosofia; filosofia analítica no Brasil. (shrink)

Providing a novel multi-disciplinary theorization of memory politics, this insightful Handbook brings varied literatures into a focused dialogue on the ways in which the past is remembered and how these influence transnational, interstate, and global politics in the present. With case studies from Africa, East and Southeast Asia, Europe, South America, and the United States, the Handbook focuses on the political features of historical memory in international relations. Chapters examine key concepts of memory politics, including accountability, commemoration and memorialization, the (...) Europeanization of memory, and the politics of trauma and victimhood, as well as analyzing different sites of memory, from the human body and memorial sites to media, film, and television. It also answers essential questions such as who and what determines the relevance of the past in the present; how does memory become a political question; and what are the political effects and ethical implications of its mobilization? Exploring the links between the politics of memory, international ethics, law, and diplomacy, this stimulating Handbook will be essential reading for students and scholars of politics and international relations, cultural studies, history, and transitional justice. Its discussion of notable agents and practices of memory politics will also be beneficial for practitioners working in human rights, politics, and public policy. (shrink)

Heidegger tries to explain our emotional life applying three schemes: causal explanation, mental internalisation of emotions and metaphorical expression. None of the three schemes explains emotion though. Either because the causal nexus does not always occur or because objects and people in the external world are carriers of emotional agents or because language is already on a metaphorical level. Moreover, how is it possible that there are presently emotions constituting our life without our being aware of their existence? From the (...) analysis of boredom in its three varieties (“bored by X”, “get oneself bored”, and “it is boring”) we will get to the depth where emotions lie, trying to rouse them and to keep them awake. Although it surfaces with the force and energy of the present, every emotion has its past and future constitution. How can we understand the future of a present emotion along with its past? (shrink)

Language is a cognitively demanding human trait, but it is also a fundamentally cooperative enterprise that rests on the motivation to share information. Great apes possess many of the cognitive prerequisites for language, but largely lack the motivation to share information. Callitrichids (including marmosets and tamarins) are highly vocal monkeys that are more distantly related to humans than great apes are, but like humans, they are cooperative breeders and all group members help raising offspring. Among primates, this rearing system is (...) correlated with proactive prosociality, which can be expressed as motivation to share information. We therefore propose that the unique coincidence of these two components in humans set the stage for language evolution: The cognitive component inherited from our great ape-like ancestors, and the motivational one added convergently as a result of cooperative breeding. We evaluate this scenario based on a review of callitrichd vocal communication and show that furthermore, they possess many of the mechanistic elements emphasized by the mirror system hypothesis of language evolution. We end by highlighting how more systematic phylogenetic comparisons will enable us to further promote our understanding of the role of cooperative breeding during language evolution. (shrink)

O presente volume reune quase uma trintena de artigos com temas culturais, de consagrados autores portugueses e brasileiros, que assim pretenderam homenagear o Professor. oordenada por Joaquim Gonçalves, a obra é estruturada em 4 partes. As três primeiras agrupam as intervenções, consagrando-se a quarta à vida e obra do homenageado.

Cause-related marketing has risen to become a popular strategy to increase business value through profit-motivated giving. Despite the growing number of articles published in the last decade, no comprehensive analysis of the most discussed constructs of cause-related marketing is available. This paper uses an advanced Text Mining methodology to conduct a comprehensive analysis of 246 articles published in 40 different journals between 1988 and 2013 on the subject of cause-related marketing. Text Mining also allows quantitative analyses to be performed on (...) the literature. For instance, it is shown that the most prominent long-term topics discussed since 1988 on the subject are “brand-cause fit”, “law and Ethics”, and “corporate and social identification”, while the most actively discussed topic presently is “sectors raising social taboos and moral debates”. The paper has two goals: first, it introduces the technique of CTM to the Marketing area, illustrating how Text Mining may guide, simplify, and enhance review processes while providing objective building blocks to be used in a review; second, it applies CTM to the C-RM field, uncovering and summarizing the most discussed topics. Mining text, however, is not aimed at replacing all subjective decisions that must be taken as part of literature review methodologies. (shrink)

Se propone al alumnado del Grado de Magisterio de Infantil un proyecto de creación de cuento ilustrado y su posterior narración y grabación audiovisual por parejas, así como el diseño de un taller de ilustración y testeo de instrumentos de evaluación. Aplicamos para el análisis de las experiencias la Investigación Basada en las Artes Visuales y la antropología visual. Los resultados desvelan la comprensión por parte de las alumnas de magisterio de las peculiaridades que tendrán los niños y las niñas (...) con los que trabajarán, así como la importancia competencial que adquiere la expresión y el lenguaje artísticos en su formación. (shrink)

"Dr. Montessori was par excellence the great interpreter of the child; and though she herself has passed on from the scene of her labours her work will still go on."-- Westminster Cathedral Chronicle One of the landmark books in the history of education--and one of the least expensive editions now available--this volume describes a new system for educating youngsters. Based on a radical concept of liberty for the pupil and highly formal training of separate sensory, motor, and mental capacities, the (...) system enabled youngsters to master reading, writing, and arithmetic rapidly and substantially. Included are discussions of scientific pedagogy; discipline; the importance of proper diet, gymnastics, and manual labor; and many other topics. Unabridged reprint of the classic 1912 edition. (shrink)

Silence is reserved for what cannot be verbally expressed. The well-known Wittgensteinian quote summarizes an established understanding of the relationship between language and silence: because language is not enough to account for reality and thinking, it must be transcended by other means of expression, like music or silence. But what if the opposite is the case and silence is not the extension but the precondition of language, the ultimate source of meaning? This paper explores how this is the phenomenological and (...) Derridean philosophical framework of Coetzee’s novels, a literary universe created from the will to signify and build singular meanings. (shrink)

In this article we consider Putnam’s project of an “ethics without ontology,” focusing on some of its crucial aspects, namely, the entanglement of fact and value and the idea of forming and “imaginatively identifying” with a “particular evaluative outlook.” We use that approach to shed light on the issue of value objectivity. Putnam’s “pragmatist enlightenment” suggests a way of abandoning the traditional project of grounding ethics and aesthetics on metaphysics, preserving the idea of realism and objectivity about values. Ethical and (...) aesthetic discriminations may be contextually specific and depend on the responses and the socially embedded experience of observers, but they are brought about by certain features of reality, far more complex than a domain of “objects” that would “correspond” to values. With our eyes set on these aspects, we draw important lessons for the project of a joint approach to aesthetic and ethical value, taking seriously the pervading entanglement of both, as suggested by the way we are able to apply the so-called thick concepts. This provides us with the outline of a contextualist approach to aesthetics that draws on Putnam’s project for ethics. We conclude by suggesting that a fruitful way of pursuing this connection could be found in co-opting resources from virtue ethics. (shrink)

In this article I argue against the arbitrariness of the concept of music and for an essentialist and naturalist framework, according to which music is a cross-cultural human phenomenon, defined by relational properties held together by uniform features of human nature. Building on Dickie’s classification of theories of art in natural kind theories and cultural-kind theories, I argue for an enhanced natural-kind theory (which explains the institutional element), and use some developments in social ontology to show the inadequacy of an (...) institutionalist approach to art and music. (shrink)

Este artigo discute o conceito de herdabilidade, empregado pela genética do comportamento, genética molecular e a teoria da herdabilidade, sob a perspectiva do modelo reticulado de racionalidade científica, de Larry Laudan. Analisa os argumentos contrários à utilização do termo herdabilidade focando principalmente nos resultados de experimentos da genética do comportamento. Conclui que algumas críticas ao termo herdabilidade são válidas tais como o termo poder ser confuso para o público em geral, mas podem ser extremas como as que propõem sua extinção. (...) A análise desenvolvida leva à conclusão de que a herdabilidade, tanto pela genética do comportamento, quanto pela genética molecular, é útil para seus respectivos fins. Os autores consideram que ao invés de ser extinto, o termo pode ser utilizado considerando mais análises, resultados e conclusões, sendo, portanto, essa a escolha mais racional e progressiva. (shrink)

This paper is about the dilemma raised against musical ontology by Roger Scruton, in his The Aesthetics of Music: either musical ontology is about certain mind-independent “things” and so music is left out of the picture, or it is about an “intentional object” and so its puzzles are susceptible of an arbitrary answer. I argue the dilemma is merely apparent and deny that musical works can be identified with sound structures, whether or not conceived as abstract entities. The general idea (...) is this: both Platonism and nominalism about musical works are a kind of fetishism: musical works are not “things”, in Danto’s sense of “mere real things”; they rather involve complex relationships between objects, events, and different kinds of functional properties. For this, I draw on Levinson and Howell’s notion of indication, combined with Searle’s approach to institutional reality... with a little twist of my own. (shrink)

Estigmatizada por milhares de anos de perseguição, a fé judaica, tal como a conhecemos hoje, é marcada tanto pela figura de Abraão e pela lei de Moisés como pelas práticas de resistência e adaptação a contextos sociais adversos e de cariz inquisitorial. Fenómeno muito estudado à luz dos acontecimentos trágicos do século XX, as práticas persecutórias das comunidades hebraicas ao longo dos tempos conhecem no campo historiográfico um volumoso número de trabalhos. Contudo, a influência que este t...

We present the structure and guiding principles of this Special Issue, with a brief description of the participants’ contributions and the relations holding between them. The intersection between aesthetics and ethics as a field of philosophical enquiry is presented under the guise of a ‘layer cake’: at the top layer we find the most general metaphysical and epistemological issues concerning the nature of value, aesthetic and ethical; the middle layer encompasses several normative issues about the interactions of aesthetic, moral and (...) cognitive values in art; finally at the bottom layer we introduce issues of a more restricted focus, like the aesthetic peculiarity of political songs and the ethics of artistic appropriation. (shrink)

Some think politics and art should not mix. The problem with this view is that politics and art were always entwined. Human experience is structured politically, even if much of it is not. Here, I illustrate this with a series of artistic examples that take us from work songs in a Mississippi 1940s forced labour camp to a desolate dead forest landscape in a former Krasnoyarsk gulag, evocative of a Paul Nash World War I painting. Powerful artworks help us to (...) come to grips with human experience, more than merely “expressing emotion”. I treat songs as representations, looking for a way their political significance is part of their aesthetic value. To do this, I defend James Young’s (2001) concept of “illustrative representation” as bridging the gap between formalism and contextualism. But instead of Young’s “Wollheimian” (resemblance between experiences) approach to how such representation works I draw on Kulvicki’s (2020) notion of “syntactic parts”, combining it with Carroll’s (2016) concept of form as the “ensemble of artistic choices”, and Black’s (1954-55) frame-and-focus model of meaning in metaphor. Hopefully, in the end I will have clarified the ways in which (some) songs are both politically and aesthetically meaningful. (shrink)

Com o Sensualismo criam-se condições para uma nova estética, sensível e sensacionalista, que vai transformar as diversas artes (Literatura, Pintura, Escultura) e trazer consigo novas formas de espectáculo: o panorama, a fantasmagoria e o diorama (este, já no início do século XIX). O Eidophusikon, dispositivo de criação e ampliação (sensurround) de novas imagens – um híbrido de teatro e pintura, criado por Philippe de Loutherbourg entre 1781 e 1782 –, insere-se nesse processo e, com a fantasmagoria de Robertson (no final (...) do século XVIII, em França), constitui uma das modalidades do que hoje designamos por pré-cinema. No entanto, apropriando-se das novas condições de representação e de percepção do teatro introduzidas por David Garrick em Drury Lane – que promovem a “absorção” do espectador naquilo que vê em palco –, o Eidophusikon de Loutherbourg (ele próprio, pintor) pode ser considerado um elo em processo da nova concepção de pintura de Diderot – da qual a “promenade Vernet” do Salon de 1767 constitui como que a actualização por escrito. (shrink)

O conceito de significado em Aristóteles -- O conceito de intencionalidade em Tomás de Aquino -- Sobre o Platonismo de G. Frege -- O nominalismo utilitarista de J.L. Austin -- Da definição ostensiva -- Competência e desempenho em N. Chomsky -- Das semelhanças -- Da mentira como ato da fala -- Dos limites do sentido.

The experience of beauty is no less mysterious for the aesthetician today than it was in the Middle Ages. Here I focus on the notion of ‘unseen beauty’ and how certain aspects of medieval philosophizing about the nature of beauty can still be of use for the contemporary aesthetician. I draw a comparison between some concepts that pervade the whole of the Medieval period – that there is a transcendent source of visible beauty, and that visible beauties function as images (...) of the invisible beauty – with a modern conception of aesthetic experience, as it is expressed in authors like Clive Bell. (shrink)

Aristotle’s analysis of action as choice is discussed in this chapter. Choice implies the correct assessment of one’s own situation and of the means (deliberation). We are what we choose: to choose is to act. To know and to think are intentional and practical oriented. The ultimate end is the object of truth and a lifelong project in the light of which the choice is made. Choices have consequences for ourselves. Even if we do nothing about it. Most of the (...) time we act in the pursuit of pleasure and the avoidance of pain. The truth of acting lies beyond and out of reach of these immediate indications. How can we become transparent about what is going on in our lives? How can we refrain from pleasing and welcome pain? Struggling for truth means: “opening up” to what is good and bad for us and acting accordingly. (shrink)

What is it about relativism that justifies, or at least explains, its continued appeal in the face of relentless attacks through the history of philosophy? This paper explores a new answer to this old question, casting the response in metaphilosophical terms. § i introduces the problem. § ii argues that one part of the answer is that some of the well-known defences of relativism take it to be a philosophical stance—that is, a broad perspective or orientation with normative consequences—rather than (...) a doctrine or a thesis. § iii draws attention to an assumption, not always explicitly stated by its proponents, that the relativist stance leads to the cultivation of some key intellectual virtues. Open-mindedness, tolerance, intellectual humility, and curiosity are examples of the intellectual virtues that relativism can foster. § iv argues that the defence of relativism on the basis of the virtues that are assumed to follow from it, at best, is only partially successful. Moreover, there is a range of epistemic vices, resulting from the stance, that undercuts the virtue-based defence presented in § iii. (shrink)

RESUMO Este ensaio examina algumas possibilidades de diálogo da filosofia heideggeriana e o tema trágico. Concentramo-nos especialmente em três aspectos: a finitude humana, o conceito de angústia e o questionamento da estrutura de domínio prevalecente na técnica moderna. Como buscamos evidenciar, o gesto trágico fundamental não é o da violência que instaura, ou do aniquilamento que imagina desmentir todo o sentido, mas do movimento humano finito que segue nas bordas da existência, sem nunca intuir o quadro completo da sua vida. (...) ABSTRACT This essay deals with some possibilities of the dialogue between Heideggerian philosophy and the question of the tragic. We focused mainly on three features: the human finitude, the concept of anxiety, and the questioning of the prevailing control structure in modern technology. We insisted on that the fundamental tragic act relates not to violence it inaugurates, or to annihilation, which imagines removal of all sense, but to the finite human movement, which follows the margins of existence, without grasping the full picture of his life. (shrink)

Aos estudos em filosofia antiga deparam-se algumas dificuldades na articulação entre a crítica de Platão à escrita e o cuidado que ele concedia precisamente aos seus textos escritos. Tais desafios intensificam-se quando se concede ênfase aos traços cênicos na apresentação das ideias e da Ideia nos diálogos platônicos. Se não chega a ser um paradoxo, dimensionam-se tensões e impasses nesse percurso. Examinamos neste ensaio um caminho explicativo possível: a de que o filósofo grego teria elaborado um grande drama (Drama) do (...) conhecimento, que marcaria por vias diversas o percurso da escrita filosófica ao longo da sua história, num enredamento fino de forma e conteúdo, ele mesmo matriz de uma resposta teórica e crítica no âmbito do conhecimento. (shrink)